Conformity. Noah Webster defines it as action in accordance with prevailing complaisant standards, attitudes, practices, etc.. When a man conforms he displays obedience towards the regulations of the battle into which he has been planted. Harlan Ellison writes of conformity in his epic entitled Repent becloud! Said the Ticktockman. And it is through his piece that he paints the idea of non-conformism. Ellison implements in media res organization, crafts a programmed nightclub, interpolates monotonous diction, and alludes to Thoreaus Civil Disobedience in respect to serving hostelry; all in an swither to stir in ratifiers the true danger that goes hand in hand with depravity in leadership, while also magnifying the sheen of a single voice in such a setting. Now begin in the warmheartedness, and later learn the extraction: the end will take care of itself, writes Ellison as he prepares to begin his epic. By introducing the piece in this manner, he offers a signal to the ref of the non-conformity that he will model end-to-end. The oculus of the story comes first, as Ellison promised- as the futuristic setting is introduced. by describing the emotionless abode, he creates in the reader a disliking of the mechanical nature of the place. A fear of sorts is stirred in the reader as the Ticktockman comes into play, his coldness ever so present from the start. He then moves to the metropolis and its clockwork nature. We envision the orderly denizens, moving end-to-end their pre-programmed lives and lacking diversity altogether. It is eerie, in a sense, to ponder this society in its robotic form; and this creates unfamiliarity within the reader. By creating this precarious feeling within the audience, Ellison sets up the welcoming disruption that comes from the Harlequin. As he commits the mischievous act, the reader finds himself delighting... If you want to get a full essay, order it on our website: OrderCustomPa! per.com
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